About
Built for the people holding the microphone
Vercast started from a simple frustration: worship music software is usually built for the desk, not the stage.
Most tools in this space treat the singer as an afterthought — a printout, a PDF, a shared screen someone else is scrolling. Meanwhile the person actually leading is juggling a laptop, a projector and a group chat, hoping everyone is on the same verse.
Vercast inverts that. The mobile app is the performance surface: it renders chords over lyrics properly, works with no signal at all, and adapts to the hand you have free. The web console is the control surface: authors write and managers approve, organizations run their own events, and a leader moves the whole room to the next song at once.
Underneath both is one music engine, so a chord chart looks the same on an iPhone, an Android tablet and a projector. That sounds like a technical detail. On stage, with three people reading three devices, it’s the whole point.
What we hold to
These aren’t marketing lines — they’re the rules the product is actually built against.
The stage is sacred
Performance screens are glanceable, high-contrast, and never interrupt. No ads. No modal nags over a live song. When a design argument comes down to convenience versus the person on stage, the person on stage wins.
Legibility over decoration
Type and contrast win every trade-off. This is read at arm's length under stage lighting by someone whose hands are full — that constraint decides more than taste does.
One music truth
A single engine defines how a song's chords and words are parsed, transposed and rendered, and every surface honours it. What you see on your phone is what the projector shows and what the person beside you reads.
Reachable one-handed
Singers hold a microphone. Primary controls obey your handedness setting and sit within thumb reach, and the lyrics align to match.
Offline is not a fallback
Venue networks are unreliable, so the performance never depends on one. Libraries download in full and live on the device. Updating is a sync, not a live query.
Nothing unreviewed
Every song, chord set, translation and transliteration passes through approval before anyone sees it, and the published library is versioned. A library people can't trust isn't worth carrying.
Get in touch
Questions, feedback, or something that isn’t working the way you expected — we’d like to hear it.